David Silverman is an American animator who has directed numerous episodes of the animated TV series The Simpsons, as well as The Simpsons Movie. Silverman was involved with the series from the very beginning, animating all of the original short Simpsons cartoons that aired on The Tracey Ullman Show. He went on to serve as director of animation for several years. He also did the animation for the 2016 film, The Edge of Seventeen, which was produced by Gracie Films. Since 2007, the English Wikipedia page of David Silverman has received more than 41,764 page views. His biography is available in 18 different languages on Wikipedia (up from 17 in 2019).
David Silverman Biography
Silverman was born to a Jewish family on Long Island, New York. He grew up in Silver Spring, Maryland and attended the University of Maryland, College Park for two years, focusing on art. He then attended UCLA and majored in animation. Early in his career with The Simpsons, he was a subject on the December 26, 1990 episode (#83) of To Tell the Truth. David Silverman is the 1,383rd most popular film director (down from 1,207th in 2019), the 11,121st most popular biography from United States (down from 9,227th in 2019) and the 419th most popular American Film Director.
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Silverman’s direction and animation is known for its energy, sharp timing, adventurous use of design elements and often complex acting, involving expressions and poses which are often quixotic, emotionally specific or highly exaggerated.[citation needed] It frequently recalls the works of Ward Kimball, Tex Avery, Bob Clampett and Chuck Jones.[citation needed] His most prolific period of work on The Simpsons can be roughly categorized as beginning with the “Tracey Ullman” episodes and ending in or around season eight of the series, for which he animated Homer’s psychedelic dream in “El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)”. Other representative examples of Silverman’s work on The Simpsons include Homer’s histrionic, spasmodic heart attack in “Homer’s Triple Bypass”, Homer’s demented hysterics over the iconic painting of poker-playing canines in “Treehouse of Horror IV” and subsequent turn as an even-more-deranged appropriation of Jack Nicholson’s character from “The Shining” in “Treehouse of Horror V”, and Homer’s over-the-top sugar diatribe from “Lisa’s Rival”.
